Title: Being Present 11” x 14”
Size: 11” x 14” oil pastel on wood panel
Medium: oil pastel
A softly layered, impressionistic scene unfolds within a muted, atmospheric frame, centering on a solitary young figure seated in a field of flowers. The figure’s bowed head and gentle posture suggest introspection and stillness, as if caught in a private moment of thought. Surrounding her, the landscape dissolves into textured bands of color—pale greens, blush pinks, warm golds, and cool blues—evoking meadows, distant hedgerows, and open sky without rigid boundaries. Small birds arc across the horizon, adding a sense of quiet movement and breath to the otherwise hushed scene. The surface is richly worked, with visible brushstrokes and subtle relief that invite close viewing, while the deep, wine-toned border encloses the image like a memory or a window into an inner world. Overall, the piece conveys tenderness, reflection, and a timeless connection between figure and landscape, balancing innocence with emotional depth.
Title: Being Present 11” x 14”
Size: 11” x 14” oil pastel on wood panel
Medium: oil pastel
A softly layered, impressionistic scene unfolds within a muted, atmospheric frame, centering on a solitary young figure seated in a field of flowers. The figure’s bowed head and gentle posture suggest introspection and stillness, as if caught in a private moment of thought. Surrounding her, the landscape dissolves into textured bands of color—pale greens, blush pinks, warm golds, and cool blues—evoking meadows, distant hedgerows, and open sky without rigid boundaries. Small birds arc across the horizon, adding a sense of quiet movement and breath to the otherwise hushed scene. The surface is richly worked, with visible brushstrokes and subtle relief that invite close viewing, while the deep, wine-toned border encloses the image like a memory or a window into an inner world. Overall, the piece conveys tenderness, reflection, and a timeless connection between figure and landscape, balancing innocence with emotional depth.
